FRONT GALLERY
HEAVEN ON EARTH
by Carla Scotto
CATALOGUE
A bold and vibrant collection that doubles as a love letter to the natural world. These unorthodox scenes are heavily inspired by the religious imagery of Greek Orthodox churches. Traditionally icons are used to create a place of worship in one’s home. In sanctifying the native fauna, these works highlight their desecrated environments and treat their ecosystems as the most sacred of spaces.
This is a depiction of the magnitude of everything we take for granted, and all we stand to lose. The paradise many seek could be all around us, if only we prioritised caring for country and ultimately Land Back.
|
 |
BACK GALLERY
VELATURA
by Marco Pennacchia
CATALOGUE
Velatura is a quiet unveiling. Each layer holds doubt, fear, and the soft weight of becoming. My insecurities, once hidden, are no longer weaknesses, but a quiet kind of strength. They’ve shaped my path, tested my resilience, and brought me here. Through gentle layers and subtle marks, I explore what is concealed, what wants to emerge, and the space in between. These works are fragments of that journey: uncertain, tender, and real.
This exhibition isn’t just what I make, it’s a reflection of who I’m becoming, and the slow, fragile process of learning to show myself fully, without fear or disguise.
|
|
SIDE GALLERY
THE RIVER BENEATH MY SKIN
by Sarah Medcalf
CATALOGUE
The River Beneath My Skin explores the profound connection between inner and outer landscapes - between the emotional terrain within us and the natural world around us. Initially inspired by the shapes of the boulders on a hike, this body of work invites reflection on how caring for the planet begins with cultivating compassion for ourselves. When we slow down, listen inward, and honour our own rhythms, we become more attuned to the earth’s pulse. A reminder that we are not separate from nature, but of it.
|
|
UPSTAIRS GALLERY
500 & H34RT EM0J15
by Conrad Square
With a fluorescent spray can in his right hand and a stencil in his left, Square’s latest exhibition bridges his street art roots with his contemporary studio practice like never before.
In a masterclass of graffiti paint (his term for spray paint made for vandalism), house paint, stencils, large-format print-outs, tape, scalpels, and brushes, Square has learned to embrace every drip, overspray, crooked line, and mistake
—stepping away from his usual perfectionist tendencies.
This invigorating body of work has offered comfort as Square navigates aperiod of change in both his personal life and professional career. It marks ashift toward accepting his current situation and welcoming new relationships
and routines, all while reinforcing the deep importance of friends and family.
|
